Blade Runner was recorded in Nashville Tennessee in a bedroom. I wish I could remember the order in which we recorded everything but I know this was somewhere in the middle. Whenever I think of the album as a whole this song is definitely a stand out track musically because before we had recorded it the song largely revolved around the bassline. In my opinion the bassline of this track was probably the best part about it, and often we were complimented on this particular part of the song, but for whatever reason as we were recording Blade Runner, we took it out. I remember we were adding synths to the track and had just finished guitars and we were doing the bass track and no matter what we did it just didn't fit in. We were playing with the idea of using a synth bass in the song and it sounded so great but, it left no room for the original bassline. I remember going back and forth on whether or not it should be added into the song (I still wonder if we made the right decision...). The one thing I will say about moving the bass of this song to synth bass is that when we perform live it adds some variety to the set. Pablo switches to acoustic guitar and the synth bass that plays in our track, shakes the floor and you feel it in your chest. It's funny how when making art the part that you revolved everything around can get cut, and sometimes it's for the better.